

Next, follow the prompt and navigate to where you’ve stored your footage. On the pop-up window, hit Edit Video to take you straight to the point. Once you’ve downloaded and opened your software, hit New Project. Without further ado, let’s proceed! Step 1: Create a New Project
#Slomo a video for free#
If you have not downloaded it yet, what are you waiting for?! Download it for free here.
#Slomo a video how to#
In this article, you’ll be learning how to make a simple slow motion video in just a few steps, using our go-to software, Animotica.
#Slomo a video for mac#
For Mac users, iMovie is a popular tool you can use. If you’re using Windows 10, Animotica is possibly the best for you especially if you’re a newbie in video editing. You do, however, need to make use of software that best matches your skills and tastes.

#Slomo a video movie#
No matter what OS you’re using, there is definitely a movie maker software for making slow motion videos on your computer. What sort of stuff do you enjoy seeing in slow motion? Feel free to share in the comments! How to Create Slow Motion Videos Natural phenomena such as fruits falling off the tree.A soccer player making a dribble or scoring a free-kick.However, here are some of the most popular subjects of slow motion. Slow motion is very popular in modern filmmaking, and there is almost no limit to the type of stuff you can capture in slow motion. That’s the honest truth! Things that look Cool in Slow Motion However, your slow motion may not be as buttery smooth as when you shoot your footage at a higher frame rate. You can, however, shoot your videos at the regular 24 frames per second and just tune down the playback speed. This difference in frame rates will result in the footage playing more slowly on the screen. Then, this footage gets imported into a movie maker which plays it at a lower frame rate, like 24 frames per second. First, a camera captures footages in a higher frame rate, like 60 frames per second. This phenomenon has been adapted in cinematography resulting in the birth of several techniques such as time lapsing and slow motion. This means that in a regular video, we see about 24 images in 1 second. Typically, a video player plays videos at 24 frames per second. This all boils down to what is called a frame rate. Firstly, you have to understand that videos are actually images-or frames- being shot in quick successions. Looking for more video tutorials? Check these out.This is no rocket science. Take each element and experiment with it until you find the approach that makes your slow-motion sequences elevate your footage. It ads depth to your coverage and emphasizes your subject.Īll of these techniques are base layers you can build upon to create bigger effects. You can also use water in a spray bottle to create a misty haze that views similarly to fog on camera. Let’s say you’re shooting a sports advertisement: consider covering your athlete with thin layer of water so that it creates subtle water droplets when they move. If you’re filming a higher frame rate, like 120fps, liquids read really well. My tip is to scatter them across the shot and fill the scene to complement any of your subject’s movements. They can fill a scene beautifully while creating a dynamic frame. You can create great a atmosphere by floating it in front of the camera.Įlements like paper, confetti, feathers, etc. I would use fabric in a dream-like sequence or if I’m shooting something fashion-related. They catch the air very well and create a liquid motion when slowed down. It catches the air really nicely, and when your subject moves, it trails behind impressively, almost like a ghosting effect.Īll fabrics look great in slow-motion. This looks great for anything sports- or action-related.

My favorite element to add to slow-motion footage is dust (baby powder). Dissatisfied with your slow-motion footage? In this video tutorial, we take a look at a few ways you can improve the look.Īre you not getting everything you want from your slow-motion footage? The trick is to use props and movement. Things that defy gravity or catch the air are pure gold when it comes to high-speed cinematography.
